MATAR A UN RUISEÑOR, Robert Mulligan (1962)

- There are some things that you're not old enough to understand just yet. There's been some high talk around town to the effect that I shouldn't do much about defending this man.
- If you shouldn't be defending him, then why are you doing it?
- For a number of reasons. The main one is that if I didn't, I couldn't hold my head up in town. I couldn't even tell you or Jem not to do somethin' again.

EL GUATEQUE, Blake Edwards (1968)

- We have a saying in India...
- Yes?
- Yes.
- Well?
- Well what?

LA DOLCE VITA, Federico Fellini (1960)

- Tu sei la prima donna del primo giorno della creazione. Tu sei madre, sorella, amante, amico, angelo, diavolo, la terra, casa.

LA FIERA DE MI NIÑA, Howard Hawks (1938)

- You've just had a bad day, that's all.
- That's a masterpiece of understatement

LA SOGA, Alfred Hitchcock (1948)

-Nobody commits a murder just for the experiment of committing it. Nobody except us.

SED DE MAL, Orson Welles (1958)

- How could you arrest me here? This is my country!
- This is where you're gonna die...

EL VERDUGO, Luis Gª Berlanga (1963)

- ¿Qué, ha habido mucho trabajo este año?
- No, regular... Aquél que se cargó a su mujer, a los hijos y a un guardia jurado. Era un simple.

EL TERCER HOMBRE, Carol Reed (1947)

- Don't be so gloomy. After all it's not that awful. Like the fella says, in Italy for 30 years under the Borgias they had warfare, terror, murder, and bloodshed, but they produced Michelangelo, Leonardo da Vinci, and the Renaissance. In Switzerland they had brotherly love - they had 500 years of democracy and peace, and what did that produce? The cuckoo clock. So long Holly.

SENDEROS DE GLORIA, Stanley Kubrik (1957)

- It would be a pity to lose your promotion before you get it. A promotion you have so very carefully planned for.
- Sir, would you like me to suggest what you can do with that promotion?
- Colonel Dax! You will apologize at once or I shall have you placed under arrest!
- I apologize... for not being entirely honest with you. I apologize for not revealing my true feelings. I apologize, sir, for not telling you sooner that you're a degenerate, sadistic old man. And you can go to hell before I apologize to you now or ever again!

LA HUELLA, Joseph L. Mankievicz (1972)

- We are from different worlds, you and me, Andrew. In mine, there was no time for bright fancies and happy inventions, no stopping for tea. The only game we played was to survive, or go to the wall. If you didn't win, you just didn't finish. Loser, lose all. You probably don't understand that.

UNA NOCHE EN LA ÓPERA, Sam Wood (1935)

- The party of the first part shall be known in this contract as the party of the first part." How do you like that? That's pretty neat, eh?
- No, that's no good.
- What's the matter with it?
- Let's hear it again.
- The party of the first part shall be known in this contract as the party of the first part.
- That sounds a little better this time.
- Well, it grows on you. Would you like to hear it once more?
- Er... just the first part.
- What do you mean? The... the party of the first part?
- No, the first part of the party of the first part.
- All right. It says the, uh, "The first part of the party of the first part shall be known in this contract as the first part of the party of the first part shall be known in this contract..." look, why should we quarrel about a thing like this? We'll take it right out, eh?

EL PLANETA DE LOS SIMIOS, Franklin J. Schaffner (1968)

- You Maniacs! You blew it up! Ah, damn you! God damn you all to hell!

ULTIMÁTUM A LA TIERRA, Robert Wise (1951)

- Gort! Klaatu barada nikto!

LA REINA DE ÁFRICA, John Huston (1951)

- We can't do that!
- How do you know? You never tried it.
- Well, yeah, but I never tried shooting myself in the head neither

AL ROJO VIVO, Raoul Walsh (1949)

- Made it, Ma! Top of the world!!

RETORNO AL PASADO, Jacques Tourneur (1947)

- Oh, Jeff, I don't want to die!
- Neither do I, baby, but if I have to I'm gonna die last

CHARADA, Stanley Donen (1963)

- Why do you think Tex did it?
- Because I really suspect Gideon and it's always the person you don't suspect.
- Do women find it feminine to be so illogical, or can't they help it?

EL INCREIBLE HOMBRE MENGUANTE, Jack Arnold (1957)

- My prison, almost as far as I could see, a grey friendless area of space and time, and I resolved that as man had dominated the world of the sun, so I would dominate my world.

WEST SIDE STORY, Robert Wise (1961)

- Everywhere grime in America, organised crime in America, terrible time in America...
- ...you forget I'm in America

EL BUSCAVIDAS, Robert Rossen (1961)

- You can't see it, can you, Charlie? I mean, you've never been able to see it. I came after him. And I'm gonna get him. I'm goin' with him all the way. The pool game is not over until Minnesota Fats says it's over. Is it over, Fats?

DOCE HOMBRES SIN PIEDAD, Sidney Lumet (1957)

- It's hard to put into words. I just think he's guilty. I thought it was obvious from the word, 'Go'. Nobody proved otherwise.
- Nobody has to prove otherwise. The burden of proof is on the prosecution. The defendant doesn't even have to open his mouth. That's in the Constitution

LA GRAN EVASIÓN, John Sturgess (1955)

- Colonel Von Luger, it is the sworn duty of all officers to try to escape. If they cannot escape, then it is their sworn duty to cause the enemy to use an inordinate number of troops to guard them, and their sworn duty to harass the enemy to the best of their ability.

ARSÉNICO POR COMPASIÓN, Frank Capra (1944)

- Look I probably should have told you this before but you see... well... insanity runs in my family... It practically gallops

LO QUE EL VIENTO SE LLEVÓ, Victor Fleming (1939)

- Frankly, my dear, I don't give a damn...

¿QUIÉN TEME A VIRGINIA WOOLF?, Mike Nichols (1966)

- Martha, will you show her where we keep the, uh, euphemism?

EL QUINTETO DE LA MUERTE, Alexander McKendrick (1955)

- What's that? Who's talking?
- Well, it's only General Gordon. He belonged to my late husband. I had four.
- Husbands?
- No, parrots. And now I've only three.
- Parrots!

EL APARTAMENTO, Billy Wilder (1960)

- You hear what I said, Miss Kubelik? I absolutely adore you.
- Shut up and deal...

2001, UNA ODISEA ESPACIAL, Stanley Kubrick (1968)

- I'm afraid. I'm afraid, Dave. Dave, my mind is going. I can feel it. I can feel it. My mind is going. There is no question about it. I can feel it. I can feel it. I can feel it. I'm a... fraid

EL HOMBRE TRANQUILO, John Ford (1952)

- If anybody had told me six months ago that today I'd be in a graveyard in Innisfree with a girl like you that I'm just about to kiss, I'd have told 'em...
- Oh, but the kisses are a long way off yet!
- Huh?
- Well, we just started a-courtin', and next month, we, we start the walkin' out, and the month after that there'll be the threshin' parties, and the month after that...
- Nope.
- Well, maybe we won't have to wait that month...

UN TRANVÍA LLAMADO DESEO, Elia Kazan (1951)

- I don't want realism. I want magic! Yes, yes, magic. I try to give that to people. I do misrepresent things. I don't tell truths. I tell what ought to be truth.

VERTIGO, Alfred Hitchcock (1958)

- Do you believe that someone out of the past - someone dead - can enter and take possession of a living being?

CASABLANCA, Michael Curtiz (1942)

- Of all the gin joints, in all the towns, in all the world, she walks into mine

LAWRENCE DE ARABIA, David Lean (1962)

- There is the railway. And that is the desert. From here until we reach the other side, no water but what we carry with us. For the camels, no water at all. If the camels die, we die. And in twenty days they will start to die.
- There's no time to waste, then, is there?

LAURA, Otto Preminger (1944)

- I shall never forget the weekend Laura died...

CANTANDO BAJO LA LLUVIA, Stanley Donen (1952)

- Meet the greatest actor in the world! I'd rather kiss a tarantula.
- You don't mean that.
- I don't...Hey Joe, get me a tarantula!

LA NOCHE DEL CAZADOR, Charles Laughton (1955)

- Ah, little lad, you're staring at my fingers. Would you like me to tell you the little story of right-hand/left-hand? The story of good and evil?

VACACIONES EN ROMA, William Wyler (1953)

- I don't know how to say goodbye. I can't think of any words.
- Don't try.

EL HALCÓN MALTÉS, John Huston (1941)

- Heavy. What is it?
- The stuff that dreams are made of...